Silhouette in Scarlet vbm-3

  Silhouette in Scarlet

  ( Vicky Bliss Mystery - 3 )

  Elizabeth Peters

  'One of Elizabeth Peters' best thrillers yet& and so funny you will laugh aloud' PW

  One red rose, a one-way ticket to Stockholm, and a cryptic message in Latin intrigue Vicky Bliss - as they were precisely intended to do. Vicky recognises the handiwork of her former lover, jewel thief John Smythe, and she takes the bait, eagerly following Smythe's lead in the hope offinding a lost treasure. But the trail begins at a priceless fifth century chalice which will place Vicky at the mercy of a gang of ruthless criminals who have their eyes on an even more valuable prize. And the hunt threatens to turn deadly on a remote island, where a captive Vicky must dig deep at an excavation into the distant past.

  ELIZABETH PETERS was born and brought up in Illinois. She is a prolific and successful novelist with over fifty novels to her credit and is internationally renowned for her mystery stories. Mrs Peters lives in a historic farmhouse in Frederick, Maryland, with six cats and one dog.

  Praise for Elizabeth Peters

  ‘Elizabeth Peters has always known how to romance us.’

  New York Times Book Review

  ‘I really do think Elizabeth Peters’ books are great entertainment.’

  Angela Rippon

  ‘The perfect recipe for splendid entertainment!’

  Maxim Jakubowski, Guardian

  Also by Elizabeth Peters

  The Amelia Peabody murder mystery series: (Titles listed in order)

  The Vicky Bliss murder mystery series: (Titles listed in order)

  Crocodile on the Sandbank

  Borrower of the Night

  The Curse of the Pharaohs

  Street of the Five Moons

  The Mummy Case

  Silhouette in Scarlet

  Lion in the Valley

  Trojan Gold

  The Deeds of the Disturber

  Night Train to Memphis

  The Last Camel Died at Noon

  The Snake, the Crocodile and the Dog

  The Hippopotamus Pool

  Seeing a Large Cat

  The Ape Who Guards the Balance

  The Falcon at the Portal

  Thunder in the Sky

  Lord of the Silent

  The Golden One

  Children of the Storm

  Guardian of the Horizon

  The Serpent on the Crown

  Tomb of the Golden Bird

  Constable & Robinson Ltd

  3 The Lanchesters

  162 Fulham Palace Road

  London W6 9ER

  www.constablerobinson.com

  First published by Avon Books, 2000

  This UK paperback edition published by Robinson, an imprint of Constable & Robinson Ltd, 2007

  Copyright © Elizabeth Peters, 2000, 2007

  All rights reserved.

  To Paula and Jim

  Music I heard with you

  was more than music,

  And bread I broke with

  you was more than bread

  Conrad Aiken

  Chapter One

  THIS TIME IT WASN’T MY FAULT.

  On several previous occasions I have found myself up to my neck in trouble (and that’s pretty high up, because I am almost six feet tall), -which might have been avoided if I had displayed a little ladylike discretion. This time, however, I was innocent of everything except stupidity. They say some people attract trouble. I attract people who attract trouble.

  Take Herr Professor Dr Schmidt, for instance. You wouldn’t think to look at him that he could be so dangerous. Physically he’s a combination of the Wizard of Oz and Santa Claus – short, chubby, disgustingly cute. Intellectually he ranks as one of the world’s greatest historians, respected by all his peers. Emotionally . . . Ah, there’s the rub. The non-professional parts of Schmidt’s brain are permanently frozen at fourteen years of age. He thinks of himself as D’Artagnan, James Bond, Rudolf Rassendyll, Clint Eastwood, and Cyrano de Bergerac, all rolled into one. This mental disability of Schmidt has been partially responsible for propelling me into a number of sticky situations.

  Yet Schmidt’s profession, which is also mine, sometimes requires its practitioners to enter a world far removed from the ivory towers of academia. He’s the director of the National Museum in Munich; I work under him, specializing in art history. Nothing duller or more peaceful than a museum? Tell that to any museum director and listen to him giggle hysterically.

  There is a flourishing black market in stolen art objects, from historic gems to great paintings. Murph the Surf, who lifted the Star of India from New York’s American Museum of Natural History in 1964, was a veritable amateur compared to modern thieves, who have to contend with closed-circuit television, ultrasonic waves, photoelectric Systems, and other science-fiction-type devices. They contend admirably. According to one estimate, seventy-five per cent of all museums suffer at least one major theft per year.

  Sometimes the stolen masterpieces are held for ransom. Insurance companies don’t like to publicize the amounts they shell out for such purposes, but when you consider the prices even second-rate Great Masters are bringing at auction these days, you can see that this branch of the trade pays very well. Other treasures simply vanish. It is believed that criminal organizations such as the Mafia are investing heavily in ‘hot’ art, storing it up like gold and silver coins. And there are private collectors who like to sit in their hidden, air-conditioned vaults gloating over beauty that is theirs alone.

  It’s no wonder museum directors sleep badly, and worry a lot.

  Which has nothing to do with the present case. It wasn’t my job, or my tendency to interfere in other people’s business that led me astray this time. It was one man. And I should have known better.

  It rains a lot in southern Germany. That’s why the Bavarian countryside is so lush and green. In bright sunshine Munich is one of the world’s gayest and most charming cities. Under dull grey skies it is as dismal as any other town. This spring had been even wetter than usual. (They say that every spring.) As I stood waiting for the bus one evening in late May, I felt that I had seen enough water to last me for a long while. My umbrella had a hole in it, and rain was trickling down the back of my neck. I had stepped in a puddle crossing Tegernsee Allee, and my expensive new Italian sandals were soggy wrecks. A sea of bobbing, shiny-wet umbrellas hemmed me in. Since most Munichers, male and female, are shorter than I am, the streaming hemispheres were almost all on my eye level, and every now and then a spoke raked painfully across the bridge of my nose. Italy, I thought. Capri, with a blue, blue sea splashing onto white sand. My vacation wasn’t due until July. I decided to move it up.

  Naturally, the package arrived that evening. Some people have a diabolical sense of timing. Even the weather cooperates with them.

  The rest of the mail was the usual dull collection, plus the weekly letter from my mother, which I wasn’t exactly aching to read. It would contain the usual repetitive news about her bridge club and her recipes, plus the usual veiled hints about how I ought to be settling down. My birthday was rapidly approaching – never mind which one – as far as Mom is concerned, every birthday after the twenty-first is a step down the road to hopeless spinsterdom. I kept sending her carefully expurgated descriptions of my social life, but I couldn’t expect her to understand why marriage was the last thing I wanted. She and Dad have been like Siamese twins for over forty years.

  Before I could read the mail or divest myself of my wet clothes I had to deal with Caesar. He is a souvenir of a former misadventure of mine, in Rome, and there were times when I wished I had brought back a rosary blessed by the Pope or a paper-weight shaped like the Coloss
eum, instead of an oversized, overly affectionate dog. Caesar is a Doberman – at least he looks like a Doberman. Like Schmidt’s, his personality doesn’t match his appearance. He is slobberingly naive and simpleminded. He likes everybody, including burglars, and he dotes on me. He has cost me a small fortune, not only in food, but in extras, such as housing. Even if I had the heart to confine a horse-sized dog to a small apartment, there wasn’t a landlord in the city inane enough to rent to me. So I had a house in the suburbs. The bus ride took almost an hour twice a day.

  I let Caesar out and let him in, and fed him, and let him out and dried him off. Then I settled down with the mail and a well-deserved glass of wine.

  I opened the package first, noting, with only mild interest, that I was not the first to open it. German customs, I assumed. The stamps were Swedish, the address was in neat block printing, and the return address, required on international parcels, was that of a hotel in Oslo.

  Swedish stamps, Oslo address, anonymous printing – that should have warned me, if there were anything in this business of premonitions. There isn’t. I was still only mildly curious when I opened the box. But when I saw the contents – one perfectly shaped crimson rose – my blood pressure soared.

  It had been over a year since I had seen John – almost three years since the red rose had been mentioned. But I had good cause to remember it.

  ‘One red rose, once a year.’ He hadn’t said it, I had. At Leonardo da Vinci Airport, as I was leaving for Munich and John was leaving for parts unknown, with, as he quaintly put it, the police of three countries after him. John was another souvenir of that Roman adventure, and he had turned out to be even more inconvenient than Caesar. I had seen him once in the intervening time. We had spent three days together in Paris. On the third night he had departed out of the window of the hotel room while I slept, leaving behind a suitcase full of dirty clothes, an unpaid hotel bill, and a tender, charming note of farewell. My fury was not mitigated when I learned, from a sympathetic but equally infuriated inspector of the Sûreté, of the reason for his precipitate departure. They had waited until morning to close in on him, feeling sure – said the inspector, with a gallant Gallic bow – that he would be settled for the night.

  The police wouldn’t tell me what it was he had stolen. I didn’t really want to know.

  John is a thief. He specializes in the objects I am paid to guard and protect – gems, antiques, art objects. He isn’t a very successful thief. He’s smart enough, and God knows he’s tricky, but he is also a dedicated coward. When he hears the heavy footsteps of cops or competitors thundering towards him, he drops everything and runs. That may not seem like an attractive quality, but it is actually one of John’s more appealing traits. If everybody were as reluctant to inflict or endure pain, there wouldn’t be any wars, or muggings of helpless little old ladies.

  He has the most atrophied conscience of anyone I know. He also has . . . But perhaps I had better not be too explicit, since I want this book to appeal to a family audience. When he’s engaged in what he does so well, one may be momentarily bemused into forgetting his true nature, but one would have to be a damned fool to let him con one at any other time.

  I picked up the rose and tried to tear the petals off. As I should have realized, it was one of those silk imitations, quite sturdily constructed. I was reaching for the scissors when I saw something else in the box.

  It was a blue imitation leather travel folder containing a plane ticket and hotel reservation slip. The hotel was in Stockholm. The ticket was to Stockholm. I had a reservation on a plane leaving in ten days’ time.

  What I had was a bucket of squirming worms. What was he up to this time?

  I said it aloud. ‘What are you up to this time, you dirty dog?’ Caesar, sprawled across my feet, took this for a deliberate, undeserved insult. He barked indignantly.

  It may have been an omen, who knows? I had both hands on the flimsy paper layers of the ticket, ready to rend it apart. By the time I had reassured Caesar and apologized, I had had a chance to reconsider.

  A rose is a rose is a rose, and a ticket is a ticket, and a ticket is a hell of a lot more useful than a rose. My mental excursion into poetry reminded me of another verse, that touching little lyric of Dorothy Parker’s, in which she mourns,

  Why is it no one ever sent me yet

  One perfect limousine, do you suppose?

  Ah no, it’s always just my luck to get

  One perfect rose.

  I felt sure John was also familiar with that gem of American literature. A plane ticket doesn’t measure up to a limousine, but Dorothy would have preferred it to a rose.

  Rain sloshed at the window. I sneezed.

  Sweden. The land of my ancestors. (Some of them, anyway.) Roots. Stockholm, the Venice of the North, its canals gleaming under a warm spring sun . . . No, there was too much water in that image. The stately palaces and quaint old streets of Stockholm shining in the warm spring sun . . . As I contemplated the mental picture, the sun shone brighter and brighter. I would use that ticket. And when John showed up, I would spit right in his baby-blue eyes. The Paris hotel bill had set me back almost two hundred bucks.

  I looked into the bottom of the box, hoping for something else that had actual cash value – a cheque (though it would probably bounce) or some trinket stolen from a museum, such as a diamond necklace (though it would undoubtedly be a fake). There was something else in the box – a single sheet of paper. Printed on it, in the same hand as the address on the package, were two words. And these were they: WIELANDIA FABRICA.

  I sat staring at the paper for so long that Caesar thought I had passed out and began nervously licking my feet to restore me to consciousness. The only thing that will distract Caesar from this activity, which he enjoys for its own sake, is a bone. I went and got him one, blundering into doorframes and furniture because my eyes were glued to that exasperating message.

  I knew what it meant, of course. In case you don’t, I will tell you, because it isn’t fair to plant clues based on esoteric knowledge. The explicit translation of the phrase should be obvious to anyone with a rudimentary knowledge of Latin – ‘Wayland’s work.’ But, you ask, who was Wayland?

  I first encountered him as Wayland the Smith, in Puck of Pook’s Hill, when he forged a dark grey sword with Runes of Prophecy on the blade – a sword that sang when it was pulled from the scabbard. Kipling knew his legendry; he was aware that Wayland had come down in the world since he entered England as a heathen god whose altars reeked with blood and burning. The Norse sagas tell his history; he was a divine smith, like the Roman Vulcan, and, like Vulcan, crippled by malice. When writers wanted to describe a particularly fine piece of craftsmanship they had only to label it WELANDES WEORC. Centuries later, Latin epics were using the same phrase. Wayland’s enchanted blades had powers beyond those of mortal steel, and his hilts were of gold, gem-encrusted.

  Scandinavia, fabled goldsmith, jewel thief . . . It made an odorous little syllogism, as neat and as crazy as one of Lewis Carroll’s exercises in logic. John was on the track of a Viking treasure. Or rather, that is what John wanted me to believe. I didn’t believe it. If he really intended to commit grand theft, I was the last person to whom he would broadcast his intentions. The message was just a lure, a juicy chunk of bait – and a fairly ingenious one. My interest was definitely aroused.

  I checked the travel folder again. The plane ticket was one-way, the cheapest tourist class. The hotel room had not been paid for in advance, only confirmed. Now I knew I was going to Stockholm, if only for the pleasure of telling that skinflint what I thought of him and his cut-rate romantic gestures.

  Schmidt protested volubly when I told him I was taking my vacation. He didn’t object to the short notice, like any normal boss. The thing that bothered him was that he would miss his weekly instalment of the dirty book I was writing. I had been working on the damned thing for three years. It began as a semi-serious attempt to make some money, but it had become a
joke; the manuscript already filled two big cartons, and no end was in sight. I could have wound it up at any point; one merely needs to decide how many times the heroine has to be abducted and assaulted before satiety sets in. But Schmidt was hopelessly hooked on Rosanna’s adventures. I kept feeding him chapters like Scheherazade with the sultan.

  ‘But she is hiding in the broom closet while the Huns search the house,’ he exclaimed. ‘How will she escape? Did not Attila remark, at the end of chapter four hundred and twenty, “We have not looked in the broom closet”? This time, surely . . .’

  ‘She won’t be raped,’ I said. ‘It’s against my principles to allow a heroine to be raped.’

  ‘What of that night in the perfumed, silk-swathed tent of the Emir Ahmed?’

  ‘That was not rape.’

  ‘Ah, so,’ said Schmidt, like Fu Manchu.

  ‘You’ll just have to wait, Schmidt. I’ll be back in a couple of weeks.’

  ‘Could you not give me a small hint?’

  I couldn’t. I never know myself what Rosanna is going to do until I sit down at the typewriter. ‘No,’ I said firmly. ‘The new Valerie Valentine is out – it’s called Passion’s Burning Lust. That should hold you for two weeks.’

  ‘She is good, but not as good as you,’ Schmidt said. ‘She has not your imagination.’

  He gave me one of his pouts – an elderly baby yearning for his bottle. I shook my head. Schmidt sighed.

  ‘Oh, very well. I hope you enjoy yourself.’